Yet Another Scarf

Last year at the Western Washington Fair I met Elaine and Randy of Blackberry Patch Farms and some of their sheep. I didn't know this place was so close to home! Later in the fall, I purchased some of Elaine's hand-spun yarn, which became this very warm scarf.

• Pattern: Triple Cable Scarf from "One Skein" by Leigh Radford, except that I used the Double Cable Scarf format and the Triple Cable Scarf width.
• Yarn: Blackberry Patch wool, approximately 400 yards.
• Needles: Size 4.25mm.
• Finished size: 7 inches wide x 76 inches long
  

I have now made two of the cable scarves from this book. I love this book. I love this scarf. So adaptable. So elegant.

Fame!

Not much fame. Modified fame? Fifteen seconds of fame?

PieceWork magazine generously published a photo of my Russian lace scarf . The pattern appeared in the July/August issue.

I think this is very cool. And the scarf was fun to knit. Details here.

On Tour

On tour with the Touring Wrap from Village Yarn & Tea. I saw a shop model and had to make it. The details:

• Yarn: Fleece Artist Suri Blue, 50 percent suri alpaca, 50 percent Blue Face Leicester, 100 grams, 600 meters. It's mostly lime green and pink.
  
• Needles: US4
  
• Cast on 85 stitches instead of the 97 specified.
• Finished size: 14 inches x 66 inches

The pattern, which is available on the Village Yarn & Tea Web site, is cleverly designed to use the whole skein of the luscious yarn. And you can practice (or show off) your Kitchnering skill because you get to Kitchner one border to the rest of the scarf.

Regrettably, my photography non-skills do not show the beauty of the yarn or the pattern.

More Leftovers

I would like to work through the odd bits in my stash this year. This was a good start.

• Double Cable Scarf from "One Skein" by Leigh Radford.
• Yarn: Rowan Rowanspun Aran, color Autumn. Another thrift store find. The skein had a lot of knots in it, but I don't think that's why in was in the thrift store because the skein had not been used at all.
  
• Needles: US7 (4.5mm)
• Finished size: 5 inches wide by 58 inches long.

It will probably be a gift for someone.

Warm and Cozy

My sister's Christmas present to us this year was a wonderful afghan that she crocheted. I especially like the little ruffled edge. It's a perfect cover during our cold and wet Northwest winters. The lamb likes it too.

Leftovers

The yarn is left over, that is, from a vest I made for my husband. I had two full balls and most of a third ball. Thanks to the resources of Ravelry, I decided on the Irish Hiking Scarf.

The details:

• Yarn: K1C2 Paint Box in color #12, Tandoor, approximately 130 grams, 260 yards
  
• Needles: 4mm
• Finished size: 8 inches wide x 50 inches long

Happy Holidays!

Blogger tells me this is my 101st post. That seems like a good way to celebrate the holidays — any and all of them — and look to the new year. Even though it is raining buckets here in the Pacific Northwest, I can celebrate with:

Blooms of paperwhite narcissus and Christmas cactus.

A Downy (or Hairy?) woodpecker enjoying Christmas suet.

Winter solstice at sunset on Hood Canal.

Knitting in Japanese

My first attempt at knitting a Japanese pattern was fairly successful. This is design #7 from "Knitted Lace Designs of the 'Modern' Mode" by Kazuko Ichida, also known among doily knitters as "the blue book." The knitting was straightforward doily knitting with familiar symbols and none of the hieroglyphic, twisted, upside-down-and-backwards Japanese knitting symbols.

The details:

• Thread: Cebelia size 30 in a cream color. I think this is an older thread because the label is different than today's label. I used one whole skein and part of another. The
  finished piece weighs 66 grams, which amounts to about 750 yards.
• Needles: 2.25mm, although I usually do the first six rounds or so in a size smaller needle.
• Finished size: 30 inches in diameter.

Pearl Knot, Not Knit Purl

I decided to expand my repertoire of craft skills with a pearl knotting class at The Bead Factory. I had some beads that needed to be re-strung and decided I could learn to do this myself. This became even more imperative when I learned that a local high-end jewelry store charges $5 a knot to string pearls. The class project was a string of glass pearls, hanging from my fig tree, right. We learned how to knot on silk and on nylon. I'm a silk girl.

With some remedial training — The Bead Factory employees are most helpful and patient — I my broken necklace, below, is now wearable again.



Then I wanted to re-do this jade or jadeite bracelet that I got in Thailand to make it longer. The holes in the beads were too big for knotting, so The Bead Factory employee suggested putting spacers between the beads. Perfect!



Jewelry-making can become as addictive as knitting. If you think you can spend some money in a yarn store, just walk into a bead store.

Paying It Forward

I recently signed up for Paying It Forward from Nurhanne's blog. I usually don't participate in chains or king-alongs or exchanges, but this one sounded fun. Here's the deal:

I will send a handmade gift to the first 3 people who leave a comment on my blog requesting to join this PIF exchange. I don’t know what that gift will be yet and you may not receive it tomorrow or next week, but you will receive it within 365 days, that is my promise! The only thing you have to do in return is pay it forward by making the same promise on your blog.

Pretty simple, yes?

Barter

See the guy on the left with the hat? That's Tristan, a member of the University of Puget Sound crew team. Tristan traveled to England last summer. I asked him to bring me a 500-gram tin of Twinings Earl Grey or English Breakfast from the duty-free shop at Heathrow. He did. He also brought back lots more tea, lots and lots of lovely tea. He refused payment but was persuaded to accept a wool knit hat for those cold, wet mornings when the team practices.

A New Doily

This is design #5 from Lavori Artistici #11. I selected it because I like the cable. Lace and cable are a great combination; doilies with cables are even better.

I am not too thrilled with the spider web center; it doesn't seem to fit with the rest of the design. And, it was a pain to knit.

The particulars:

• Pattern: Lavori Artistici #11, design #5
• Thread: Vintage Clark's Big Ball, size 30, in an orchid color (it's solid orchid, not variegated as the photo might suggest)
• Needles: US1 (2.25 mm), although I usually do the first six or so rounds in a size smaller needle, 2.0mm in this case.
  
• Size: 12" diameter
  

The Heirloom

I recently had an opportunity to purchase an heirloom — a doily by Marguerite Shimmons. Marguerite works in size 100 thread. Size 100!

The doily is about 12 inches in diameter. I don't know what pattern it is. It's possible that it's a combination of one center and a different edging. Nevertheless, I love it.

Lacis in Berkeley, California, has a collection of Marguerite Shimmons doilies in its museum collection.

A Big, Comfy Shawl

Everyone needs a big, comfy shawl. My latest is the Alix shawl by Myrna Stahman by way of Debbie Macomber.

• Yarn: Mountain Colors Bearfoot (superwash wool, mohair, nylon) in Lupine, 3 skeins (I had about 5 yards left)
• Needles: US7
• Finished size: 46 inches center back

The pattern as written finishes with a seed stitch border. I decided to finish with the Catharina border from Myrna's "Stahman's Shawls & Scarves." (Not an original idea; I had seen a version with this border.)

Both the Catharina and Alix shawls use Myrna's variation on the Smiling Diamonds pattern from Barbara Walker's first Treasury. Catharina is a Faroese-style shawl; Alix is a triangle shawl. Catharina was the one of the first shawls I ever made, so I was familiar with the edging. The only tricky bit was adjusting the attachments at the center point to center the bottom scallop.

What's nice about this shawl is that you can knit it in just about any yarn. I've seen it in the finest lace weight to much heavier yarns. I've seen it in solids and variegated yarns. It's easy enough for beginning lace knitters but interesting enough for veteran lace knitters.

Lovely Lunna

What better way to transition from summer to winter than with a lace scarf. This one is Lunna, a Jamieson & Smith pattern.

• Yarn: Jamieson & Smith Shetland 2-ply, 2 hanks, 252 yards each.
• Needles: US3
• Size: 12 inches wide by 50 inches long

What made this scarf fun is that part of it has patterning on both sides. The less fun part was grafting 67 stitches. The yarn was a bit stiff and scratchy to work with, but softened up considerably after washing.

The scarf is photographed on my Japanese lace leaf maple — a lace scarf on a lace maple. In the summer, the leaves of the tree are dark red. In the fall, the leaves "catch fire" in a stunning flame color.

A Turquoise Angel

Sivia Harding's Angel Pearls beaded scarf, made with leftovers from Sivia Harding's Shetland Garden shawl (see September 17 and September 19 entries). My only difficulty with the pattern is that the purl and bead symbols on the charts look exactly the same. Fortunately the written instructions allowed me to mark where to place the beads — hooray for designers who provide both written instructions and charts.

• Yarn: Nature Spun fingering weight, approximately 1 skein
• Color: Hurricane Seas
• Needles: US5
• Beads: Silverline 6/0 Black Diamond (turquoise is darned hard to match, so I opted for contrast)
• Pattern repeats: 13 repeats of the middle section
• Size: Don't know; I gave it to my friend Liz before I measured it
  

Playing with Color

Variegated and multicolored crochet thread has been around for decades. Remember grandma's hand towels with crocheted edgings in every color of the rainbow and a few more? Many of today's knitters think that using variegated or multicolored thread for doilies is a no-no. I think that with the right pattern, variegated and multicolored threads can work just fine. So began the experiment.

I started with some variegated green from my stash of vintage thread ("vintage" is code for "old stuff that's been kept around for no apparent reason"). This is about three-quarters of design #38 from Lavori Artistici 11, until I ran out of thread. I like the way the colors swirl.

Then I tried something a little bolder but still variegated for design #12, also from Lavori Artistici 11. Amazingly, this one won a first-place ribbon at the Western Washington Fair this year. Go figure.

Then I threw timidity to the wind and went for the "clown colors," one with a star-style pattern and one with a leaf-style with stacked double decreases. Both are from "Danish Lace Treasures" by Gloria Penning; one is Judith and one is Patricia. Not too bad. They might make fun sun-catchers.

As a result of these experiments, I think that variegated and multicolored thread can work for doilies with simple patterns. Would I do a Niebling with variegated or multicolored thread? No. But those who have supplies of vintage/old stuff thread can use it for doilies — and maybe even some crocheted edgings for hand towels.

Watching Lino

Master glass artist Lino Tagliapietra was in town last week, working at the Museum of Glass. Wow! Wow! Wow! Both his work and working style are contemporary and elegant. His show next February at the museum should be a stunner.

Surrounded by Talent

For the past several years, I have had the great opportunity to attend Myrna Stahman's lace knitting retreat in Boise, Idaho. I always come home with my brain overflowing with ideas. One of the many highlights of the retreat is seeing and learning from other people's beautiful, stunning work.

Doilies, for example:

And a quilt made with doilies:

And shawls:

And scarves from luxurious Buffalo Gold yarn:

Being in the same room with all of the talented people is amazing.

Ravelry

My invitation to sign up for Ravelry finally arrived. Now I just have to learn how to use it. It's not entirely clear to me what I do with all of it, but I'll take it a step at a time. I created a profile (SueV), so I'm not completely helpless; mostly helpless but not completely. Maybe I'll go find some friends next.